Tag: characters

Reaching out.

September 21, 2014     scarlettfinn     Blog post

anime-reaching-out-cc-371690

One of the most difficult parts of being an indie writer is engaging with readers. The difficulty comes not in getting the information of your work out there but in making the reader feel valued enough to understand that they are a part of the adventure.
Every single person who purchases a book has made a decision that effects the life of another. Without realising it you have made the day of the author. In fact, let me correct myself, you don’t even have to purchase the book, you can borrow it through schemes like KU and KOLL or even from the library. Every book you read is the product of hours of toil on the part of the author. Whether you enjoy the book or not, your initial decision to take the risk and use your time to absorb those words placed together by the author is honouring that writer.
Now I’m not here to suck up, oh no. I mean yes, readers should be revered and valued, we should treat them as precious jewels shining a bright light for others to see that may perhaps beckon others to the novel that reader has enjoyed. But they’re also terrifying. Readers hold a tremendous amount of power because love it or loathe it, you can help to make or break the destiny of a novel, or indeed a writer.
But we have to reach out. Writers have to have faith in their readership and trust that they will engage and embrace the worlds and characters we create.
To help my readers connect with each other and with me there is now a group on Goodreads dedicated to discussing books I have written and characters I have created. It’s a new space and so the endeavour is still burgeoning but the goal will be to bring all of the information on my work into one place for others to discover and discuss it.
I have to stress that while I write the words and bind them together into a narrative, the worlds and people in those books are a part of you as well. Not one of them is solely mine and I cannot tell you how to feel about any character or situation. I may wish for you to experience them in a certain way but each person who reads one of my books will have a different adventure. We place a part of ourselves in these novels and your own life knowledge will alter your view of these scenarios. I think it’s great.
So I want everyone to get involved in this new group and everyone to share their views and experiences of the novels I have written. We all have more to learn in life and sharing knowledge is one of the greatest gifts any of us can bestow. So click here or on the picture at the top of this post and come along to get involved.
Explicit Detail will be released in nine days and there is a chance to win an advance copy of the novel at the group. But even if you choose not to join I would like to take this time to say thank you. Thank you for reading and long may your love for it continue.

Good luck on your adventures,

xSx

Sexual Development

September 18, 2014     scarlettfinn     Blog post

passionate-kiss-2

Sex for the sake of sex is great in real life. Why not go for it just because you can? It’s fun and man it feels good… if you’re doing it right :p
In novels, however, it’s important that sex scenes serve some kind of purpose. The trick is, of course, ensuring that the joining still feels spontaneous and is enjoyed by all parties without spelling out the specifics of what the reader will learn from this particular scene.
So what kind of purpose? I hear you ask. “Isn’t sex simple supposed to titillate?” Well yes, it is, it’s supposed to illicit a carnal reaction from the reader. You should feel yourself a little warmer inside, and maybe a little naughtier too. But sex scene after sex scene without there being a greater purpose will fail to advance the story, which is what a romantic fiction novel should be all about – the narrative.
There’s no single purpose for sex in books. It’s not only about showing the physical progression of the relationship between characters. Sometimes it’s as much about the emotional advancement of that relationship too. In Explicit Instruction the reader can map the development of the sexual relationship between Flick and Rushe and see how that parallels the movement of their emotional connection. The sex is different and each experience between them reveals something else.
We can see how Rushe tries so desperately to keep Flick at a distance in the initial stages of their affair. We can see his rough and ready approach, and how he tries to treat Flick as just any other woman. But subtle changes are seen in each of their encounters until their affinity is undeniable.
Now it’s not simply enough for the writer to say, “Rushe wants to keep Flick at a distance and that is why he is so harsh with her…” Then progress at the end to, “Rushe has given up the fight and now realises that this dynamic, refreshing woman has wormed her way into his affections.” The writer must give the reader enough hints, enough small pieces of evidence, to link so that they can put the pieces together for themselves.
The great thing about writing Explicit Detail was further exploring that development between our main couple. The dirty talk and rough sex still exists but it’s there for a different reason now. It’s no longer about Rushe trying to push Flick away, it’s about them optimising the  pleasure of their partner. Playing together, keeping the variety alive while reminding each other of that undiluted passion they still feel for each other.
Some readers will no doubt disagree about the use or purpose of sex, some may even disagree with Rushe’s methods. But the sex is crucial to both books. Trust builds between them, and because of the nature of the sex that they have, that trust is intensified.
Rushe insists on consent but can be brutish. Flick has to trust him, she has to know that if he approaches her boundaries he will desist. She does trust him, because he always will. Being savage in bed, especially when he is overcome with want for her, is extremely arousing for Flick. She sees through his attempts to keep her at a distance and that teaches her more about this man. Just as her refusal to be deterred shows Rushe how determined, and committed she is to being at his side, thus, how she cares for him.
Flick isn’t going anywhere no matter how he pushes and Rushe only falls deeper when he begins to understand that she is truly accepting of who he is, primitive ways and all, she doesn’t want him to change, but she does want him.
There are many other uses for sex in books, sometimes it’s about gathering or showing information of a more material kind. It can serve a practical purpose, or a procreative one. The uses are boundless, it can be manipulation, or motivation, greed, impulse. But we should always learn something about the story or about the characters during these scenes, the journey doesn’t stop because the characters are enjoying themselves, it should always keep on going.

Good luck on your adventures,

xSx

All the answers…

August 30, 2014     scarlettfinn     Blog post

questions-and-answers

 

So we had some questions put forth and it is my pleasure to be able to answer them. I’m always happy for anyone to get in touch with any queries that they have for me and if there are more after this then I am certainly willing to write another blog based on them. I can probably get hold of Rushe and Flick too if you have any questions for them 😉
But lets get cracking on today’s selection.

Question One
Who do you create first, the hero or heroine?

It largely depends on where inspiration comes from. Some novels begin with a character and others with scenarios. I don’t think it would be much of a surprise to learn that in the case of Explicit Instruction Rushe came to me first. The novel itself is actually about him, despite being from Flick’s point of view. Such a strong man with such clear characteristics was vivid from the outset. Everything else came from him, he dominates the piece.
But in other novels the heroine may come first, or even a secondary character. There have even been times when the couple came to me at the same time!


Question Two
Is it hard to come up with ideas/characteristics for non-typical romance Heroes (ie Rushe, Sloane)?

I have to be honest and say that non-typical heroes are actually my favourite kind. I don’t think it’s difficult to come up with the ideas for them and their traits but it can be more difficult to sell them to the reader. A lot of readers enjoy non-typical heroes, but there is still an expectation of how a hero should act towards his heroine. It’s extremely important for me that the respect remains intact between our couple, and as the writer it’s my job to ensure that the message of the relationship isn’t lost. Hence why consent is such an important factor for Rushe. Making that feature in his personality so prominent to the reader allowed me, the author, to communicate the maintained respect, despite the intense situation.

Question Three
Are any of your characters based on real people, or do they all come straight from your imagination?

Ah, I’ll have to be careful with this one! Yes, I have written characters based on real people.
Some of my characters share the odd trait here and there with people I know in real life, however the majority of my characters do come entirely from my imagination.
But, for those of you who have read The XY Factor you may remember Nick and Bella? They have their own novel, which is based before Sloan and Darcy’s. Their journey to happiness was bumpy too but an awful lot of fun. In their story there are two characters based on people in my life… I wonder if they’d recognise themselves…

I hope these answers have enlightened some of you. Please contact me with anymore questions you have, or head on over to Facebook and ask them there. Remember, if you don’t ask, you may never know!

Good luck on your adventures,

xSx

Learning curve.

Learning curve.

Success is a relative term that we all have to define for ourselves. When I started my publishing journey I had to learn about a lot of new things that I hadn’t considered before. Ironically, the easiest part of this whole process is the writing! Yes, that’s the part I find myself retreating to when […]

August 20, 2014
0 Comments
Divider
Divider

Random thoughts.

Random thoughts.

First, and quite randomly, I found out today that Explicit Instruction is being illegally pirated through torrent sites. After an initial panic and a Google search I learned that I should take this as a compliment. Hmm. Since there is nothing I can do about it, I suppose I’ll have to look at it that […]

July 27, 2014
0 Comments
Divider

Take tomorrow off.

Take tomorrow off.

  You know how at the end of a really good book you sometimes feel like you’ve just lost a best friend? Now imagine that times a hundred. It’s an odd thing, to be able to cope as a writer you need to be able to handle long nights, dwindling days, extreme highs, and more […]

June 3, 2014
0 Comments
Divider

Where the magic happens̷..

Where the magic happens…

A Goodreads discussion got me thinking about where writers right. The great thing about the craft is that there is little space, apparatus, or physical energy required. We don’t have to worry about the weather, or our health, or of bothering anyone. We don’t have drum kits to disturb the household, or require an immediate […]

May 16, 2014
0 Comments
Divider